This practical approach to a linear algebra course, whether through classroom instruction or self-study, is unique to this book. Examples demonstrate each topic in action. Furthermore, the book covers applications of triangles, polygons, conics, and curves. The subtitle, A Geometry Toolbox, hints at the book’s geometric approach, which is supported by many sketches and figures. Applications are introduced to motivate topics. The authors start with the fundamentals in 2D and 3D, then move on to higher dimensions, expanding on the fundamentals and introducing new topics, which are necessary for many real-life applications and the development of abstract thought. The Fourth Edition of this popular text introduces linear algebra in a comprehensive, geometric, and algorithmic way. Linear algebra is used to extract knowledge from the massive amounts of data generated from modern technology.
Animated characters are generated using equations straight out of this book. 3D entertainment, animations in movies and video games are developed using linear algebra. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies-and not just European ones-deserved to be considered art.
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With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers.
The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole.
In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. Today's moviegoers and critics generally consider some Hollywood products-even some blockbusters-to be legitimate works of art.
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